At the end of civilization, zombies greatly outnumber humans and everyday is a fight to see tomorrow. Just when he is about to give up that fight, rugged wanderer John Knox winds up being saved by a ragtag group of survivors lead by a man named Moses. After initial suspicion, Knox proves his worth and slips into his new family in the wasteland, but one day a war party of maniacal raiders assaults the camp, killing or kidnapping everybody in sight. It s up to Knox and the few who escaped the attack to gather what resources they can (including zombies!) and launch an all-or-nothing attack on the raiders home fortress.

With much of the future world s population rendered into an undead horde, R is a young, and oddly introspective, zombie. On a feeding encounter with a human gathering party, R meets Julie and feels an urge to protect her. What happens with that is the beginnings of a strangely warm relationship that causes R to start to regain his humanity. As this change spreads throughout the undead population, Julie and R eventually find they are facing a larger issue even as their friendship is challenged. Caught between the paranoid human forces and the ferocious Bonie zombies who are a mutual threat, R and Julie must find a way to bridge the sides to fight for a better world no one thought possible.

When a dope run into Mexico goes terribly wrong due to a faulty GPS and an unseen entity, Jack (Spencer Heney), a quiet college student and a rowdy group of party girls-the Vamps- find themselves lost on the fabled road Walpurgisnacht. Fear emerges when their 67 convertible and their 300k delivery mysteriously go missing. They seek shelter and safety descending deeper into terror as they face a dangerous local named Billy (L.Paschal Tenet) who seems to be the key to the cursed Walpurgisnacht Road and the secret to survive. Desperation mounts as they are chased into the belly of a deep dark mine and even deeper into their own consciousness. The frantic group search for redemption as they dodge the inevitable.

Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join 4 other guys one of whom is related to a known mobster. They pull off the job flawlessly and Parker wants to part ways with them. But because he refused to join them for another job they try to kill him. They dispose of his body but someone finds him and he is still alive and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. He learns where they are and poses as a wealthy Texan looking to buy a house.

Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all.

Struggling screenwriter Charlie Baxter sets out to write his long-blocked great American screenplay when he suffers a heart attack and his mysterious upstairs neighbor Doctor Shockner comes to his rescue. The doctor persuades Baxter to stay until he recovers fully, and introduces him to a nightmarish world of insane experiments and murder. Baxter knows something must be done to stop the evil that resides in the room at the top of the stairs.

In 1848, a New York bank wants to put a railroad across Mexico, so it buys up small banks around Santa Rita, Durango, and evicts farmers on the proposed rail line who owe money. The bank s henchman is the murderous Jackson. He runs afoul of two women, Mar?a, the tough but uneducated daughter of a farmer, and Sara, the European-educated daughter of the owner of one of these banks. To feed the now landless people and to seek revenge, Mar?a and Sara become bank robbers, veritable Robin Hoods. But Jackson and his hired guns are after them. What are the women s options?

Agent Luke Hobbs enlists Dominic Toretto and his team to bring down former Special Ops soldier Owen Shaw, leader of a unit specializing in vehicular warfare.